Figgins Sans Font Family

The first sans serif types were made in London in the early 19th century. They were severely modern, all caps and bold. The Figgins foundry, inventor of the term sans serif, showed a ?ne example in its specimen of 1836. The extra bold weight of Figgins Sans is a close revival of the original, with the addition of a lower case which retains its partly geometric, partly grotesque quality. The family is rounded out with other weights and an italic, and extended into Cyrillic and Greek, all executed in what is assumed to be as authentic a manner as possible, given the hypothetical nature of the exercise. Together with Scotch Modern, comprises The Modern Suite of matched fonts.

OTF | 4 Fonts | JPEG Preview | 8.7 Mb RAR

Figgins Standard Font Family - 13 Fonts
OTF
To meet the burgeoning demands of commerce, type founders in 1830s London introduced a plethora of new fonts which abandoned the traditional nib-informed model. Most radical were bold, capital-only designs with almost no stroke contrast, stripped bare of serifs. To all intents and purposes these minimal expressions of utility were identical to 20th century functionalism. Recontextualizing one of the original sans fonts, Shinn offers an alternative proposition to the myth of modernism.
http://www.myfonts.com/fonts/shinn/figgins-standard/

https://www.myfonts.com/collections/bari-sans-font-jcfonts

Bari Sans is a solid grotesque typeface with tense curves and compact proportions, but also more subtle details like the angled terminals, the double storey g and the distinctive shape of the lowercase a. Designed to look robust and masculine, this family is also quite versatile with its 9 weights, ranging from thin to black, plus matching italics. Each font include over 500 glyphs with several OpenType features and 8 stylistic sets: alternate lowercase a, g, l, and y, alternate uppercase I and J, alternate quotation marks... Tabular figures, localized forms, ligatures and automatic fractions are also present, among others.

https://www.myfonts.com/collections/twogether-sans-font-sudtipos

Twogether Sans builds upon the achievements of Twogether Rounded, creating a more comprehensive system and positioning itself as a suitable choice for general text usage. By removing the rounded elements from each character, Twogether Sans gains increased flexibility and a broader range of possibilities for different types of projects.

https://trulytype.com/typefaces/afrika

A warm and romantic typeface inspired by Paris and its love with African culture and art. The mix of Parisian avantgardism and African culture shaped a unique and vibrant expression. Afrika’s details can be seen as a display font, intended for larger size, it’s also easy on the eyes in short blocks of text copy. Designed with OpenType features, each weight includes alternate characters, ligatures, arrows and extended language.

https://trulytype.com/typefaces/ordinary

Typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. The sensation of the ordinary, just what is it that catches the eye, and why? What’s the significance of a broken flowerpot, a pair of identical tables side by side. These kinds of ordinary objects may seem reasonably trouble-free. Nevertheless, on closer scrutiny, these objects are at least as mystifying, if not more so. Ordinary Sans examines subtle in seemingly normal fonts. Ordinary is a modern sans serif with a geometric touch. A younger brother of the Everyday family. It comes in 12 weights, and matching italics. The text weights are free of charge, so you can use them to your heart’s content. It has a functional look with a warm touch. While the Display weights are great for large sizes the text weights are well suited for smaller texts.